{"title":"All Artworks","description":"\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","products":[{"product_id":"musee-national-dart-moderne-paris-1966","title":"Galerie Maeght, Paris 1970","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003ePrinter: \u003c\/strong\u003eArte \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e61 x 40 cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good condition\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrame:\u003c\/strong\u003e Charcoal \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription: \u003c\/strong\u003eAn original Galerie Maeght lithographic poster for the artist’s 1970 exhibition. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eJean René Bazaine (1904-2001) was a French painter and writer. The great grandson of the English Court portraitist Sir George Hayter, he was born in Paris and studied sculpture with Paul Landowski before switching to painting at the École des Beaux-Art. His work was first shown in group exhibitions with Fautrier, Pougny, Goerg and Gromaire from 1930. And with the encouragement of Bonnard, held his first solo exhibition in 1932. After the Second World War, Galerie Maeght hosted his first major solo exhibition in 1949\/50 with many more thereafter. \u003c\/span\u003e\u003c\/p\u003e","brand":"Jean Bazaine","offers":[{"title":"Charcoal","offer_id":53476323787129,"sku":null,"price":395.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0761\/0911\/9764\/files\/Hommage-44_LowRes.jpg?v=1736974716"},{"product_id":"berthemont-les-bains-nice-1950","title":"Berthemont Les Bains, Nice 1950","description":"\u003cp\u003e\u003cstrong\u003ePrinter: \u003c\/strong\u003eRobaudy, Cannes\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e120 x 80 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eFrame:\u003c\/strong\u003e Oak\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription: \u003c\/strong\u003eFrom the 1950s, this large original lithograph advertised the health and beauty benefits of Berthemont-Les-Bains ­– a thermal spa town on the French Riviera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003eEmmanuel Bellini was a French architect, painter, draughtsman and figurative lithographer. He was born in Monaco and grew up during the height of the Belle Époque. He remembered his childhood lit with sunshine and bright colours as he watched aristocrats and gentlefolk visiting casinos, opera and the glorious coastline – joyful memories that would later inspire his art. He studied at the Rocher drawing school before working for a firm of architects. Teaching himself to paint, he combined his day job as an architect in Cannes with his love of art. Influenced by Fauvism and Impression, and using intense colour, his output was prolific and he exhibited many times in the South of France. One of Bellini’s many admirers was Prince Rainier of Monaco who loved his cheerful pictures and supported many of his exhibitions.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Emmanuel Bellini","offers":[{"title":"Oak","offer_id":46627609870612,"sku":null,"price":1250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0761\/0911\/9764\/files\/065_Small_f69d2132-0d19-4cb4-a723-4ece8a8f04bf.jpg?v=1694544852"},{"product_id":"musee-monetaire-de-paris-paris-1972","title":"Musée Monétaire de Paris, Paris 1972","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003ePrinter: \u003c\/strong\u003eMourlot \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e70 x 50 cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eFrame: \u003c\/b\u003eSilver\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe historic Monnaie de Paris, the world’s oldest institution to have minted coins continuously since AD 864, provided a fitting setting for Roger Bezombes’ exhibition in 1972. This original French lithographic poster was produced to accompany the exhibition, bringing together one of France’s leading decorative artists with one of the country’s most remarkable historic institutions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eRoger Bezombes was one of France’s great decorative artists. Equally at home painting murals, designing stained glass, mosaics, tapestries and theatre sets, he believed art should be part of everyday life rather than confined to galleries. That philosophy runs through all his work and is beautifully reflected in the bold, colourful design of this poster.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eOne of its most unusual features is the blind embossing, cleverly used to echo the relief of the medals featured in the exhibition and giving the poster a subtle tactile quality rarely found in exhibition posters of the period. Its strong colours and patterns echo the bold, experimental mood of French graphic design in the early 1970s. Bezombes may be less familiar outside France than some of his contemporaries, but collectors increasingly look for his posters for their distinctive flair and very French character.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eRoger Bezombes \u003cmeta charset=\"utf-8\"\u003e(1913–1994)\u003cb id=\"docs-internal-guid-efa2734f-7fff-e371-04d1-58bd655035c3\"\u003e \u003c\/b\u003ewas a French painter, sculptor, designer and printmaker. Born in Paris, he was orphaned at a young age and forced to work in many different jobs to fund his painting career. At 17, he helped install the major Bauhaus exhibition at the Grand Palais in 1930. He would later study at the École des Beaux-Arts in Paris where he met Maurice Denis who introduced him to the works of Gaugin, Van Gogh and Matisse all of which would inspire and influence much of his own artistic style. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter winning a prestigious award in 1936, Bezombes was offered a grant to study in Africa. Travel continued to influence his work and it was on a trip to Greece in 1951 that he developed a passion for tapestry. In 1955 he was appointed the official painter of the French Navy. He exhibited in group and solo shows with many of his brightly coloured landscape and figure studies, reminiscent of exotic African cultures, throughout his career. He died in Paris in 1994.\u003c\/span\u003e\u003c\/p\u003e","brand":"Roger Bezombes","offers":[{"title":"Silver","offer_id":46627649552660,"sku":null,"price":495.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0761\/0911\/9764\/files\/094_Small_e6dd1a97-c3b1-46a0-a6f7-db87e9fbab9b.jpg?v=1694545480"},{"product_id":"les-peintres-temoins-de-leur-temps-musee-galliera-paris-1961","title":"Les Peintres Temoins De Leur Temps - Musee Galliera, Paris 1961","description":"\u003cp\u003e\u003cstrong\u003ePrinter: \u003c\/strong\u003eMourlot\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e75 x 55 cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"fullscreen-side-bar-description\" tabindex=\"-1\"\u003e\u003cspan\u003e\u003cstrong\u003eFrame: \u003c\/strong\u003eCharcoal\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"fullscreen-side-bar-description\" tabindex=\"-1\"\u003e\n\u003cspan\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fullscreen-side-bar-description\" tabindex=\"-1\"\u003e\u003cspan\u003e\u003cstrong\u003eDescription: \u003c\/strong\u003eThis lithographic poster was created by the Mourlot Studio to promote the annual exhibition in 1961 of Les Peintres témoins de leurs temps which translates to ‘Painters who are witnesses of their time’. The image of the birds can be seen on the ceiling in the Salle Henri II in the Louvre in Paris. It was one of Braque’s three panels commissioned by the museum in 1953.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"fullscreen-side-bar-description\" tabindex=\"-1\"\u003e\n\u003cspan\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fullscreen-side-bar-description\" tabindex=\"-1\"\u003e\u003cspan\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eGeorges Braque was a French painter from Normandy best known for developing cubism with Pablo Picasso. From school, he followed his family’s trade as a house painter and decorator, taking art classes at night before moving to Paris to study at the Académie Humbert in Montmartre. Inspired by the impressionists, he focused on landscapes with increasing use of bold colour and shapes which resulted in his alliance with fauvism. This artistic movement, steered by Matisse, Maurice de Vlaminck, André Derain, Othon Friesz and Raoul Dufy broke new ground in art as it moved away from representational form. Braque had by then met Picasso and between 1906 and the outbreak of the First World War, they began to further deconstruct artistic norms to develop cubism. Braque sustained a severe head injury during the war and was slow to return to art but it was said his work was bolder, freer, and his style continued to evolve as he embraced collage, sculpting, lithography, jewellery design and stage sets. He died in 1963.\u003c\/span\u003e\u003c\/div\u003e","brand":"Georges Braque","offers":[{"title":"Charcoal","offer_id":46627878109460,"sku":null,"price":1250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0761\/0911\/9764\/files\/WEB-58.png?v=1776941467"},{"product_id":"galerie-65-cannes-1960","title":"Galerie 65, Cannes 1960","description":"\u003cp\u003e\u003cstrong\u003ePrinter: \u003c\/strong\u003e\u003cspan\u003eMourlot (1 of 600 Editions) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e77 x 53 cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eGood\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrame\u003c\/span\u003e:\u003c\/strong\u003e Framed in charcoal\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription: \u003c\/strong\u003eThis striking illustration, which Buffet used to promote his exhibition in 1960, is a great example of his figurative style characterised by dark heavy lines.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eBernard Buffet (1928-1999) was a prolific French painter, printmaker and sculptor. He grew up in a comfortable middle-class family and his mother would regularly take him to the Louvre Museum where he was inspired by the realist painters. He was a student at the Lycée Carnot during the Nazi occupation of Paris and risked travelling to classes in the evening despite the curfew imposed by the Nazi authorities. Later, he studied at the École Nationale Supérieure des Beaux-Arts. He was devastated when, aged seventeen, his mother died of cancer. He suffered with melancholy throughout his life. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFaithful to his figurative style, he enjoyed worldwide popularity in the 1950s. He produced religious pieces, landscapes, portraits and still-lifes which were characterised by thick black lines, elongated forms and a lack of depth of field. He produced ‘miserabilist’ pictures of despair, too, including scenes of poverty and Holocaust victims. In 1958, The New York Times called him one of the “Fabulous Five” cultural figures of post-war France along with Brigitte Bardot, Françoise Sagan, Roger Vadim and Yves Saint Laurent. But his popularity took a nosedive after he was photographed for magazine articles living a celebrity lifestyle with big houses and a chauffeur-driven Rolls Royce. He was seen as out of touch with the struggling economy of post-war France. Despite painting every day for the rest of his life, those early heady days were over. While suffering from Parkinson’s disease, he committed suicide at his home in southern France, aged 71. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSince his death, his work has been fetching big prices. In 2016, Nicholas Foulkes published his biography Bernard Buffet: The Invention of the Modern Mega-Artist and, in the same year, a large retrospective exhibition of his work was held at the Musée d’Art Moderne in Paris. Buffet’s work continues to be popular and collectible. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Bernard Buffet","offers":[{"title":"Charcoal","offer_id":46627936567572,"sku":null,"price":795.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0761\/0911\/9764\/files\/115_Small_6334987d-e651-47eb-afa0-e9ecf31dc770.jpg?v=1694548116"},{"product_id":"muse-des-arts-decoratifs-palais-du-louvre-paris-1959","title":"Musée des Arts Décoratifs, Paris 1959","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003ePrinter: \u003c\/strong\u003eMourlot (1 of 1,500 editions) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e75 x 51 cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good condition \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrame:\u003c\/strong\u003e Charcoal\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDescription: \u003c\/strong\u003eAn original lithograph in four colours. A poster created for the retrospective exhibition of Chagall at the Museum of Decorative Arts, Palace of the Louvre, Paris.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eMarc Chagall (1887-1985) was a Russian-French-Jewish painter, book illustrator, ceramicist, stage-set designer, tapestry maker and undoubtedly one of the most influential modern artists of the 20\u003csup\u003eth\u003c\/sup\u003e century. He was also an unparalleled colourist. In 1954, Picasso said, ‘When Matisse dies, Chagall will be the only painter alive who understands what colour really is.’\u003c\/p\u003e\n\u003cp\u003eMost artists would begin the lithograph process with a black outline and then load subsequent plates with several colours to produce a clean coloured image. But Chagall would pour layer upon layer of colour into plates to create lithographs so dense in paint that they resembled paintings.\u003c\/p\u003e\n\u003cp\u003eIn 1948, Chagall, aged 61, was an internationally successful artist. He had lived through two world wars, the Russian Revolution and witnessed constant persecution of Jewish people. He had escaped occupied France with his family to live in New York during World War II but had returned to Paris a widower and in search of new beginnings. He teamed up with Charles Sorlier, one of the master lithographers at Mourlot studios and began to experiment. Chagall wrote several years later in 1960: ‘When I held a lithographic stone or a copperplate in my hand I thought I was touching a talisman. It seemed to me that I could put all my joys and sorrow in it…Everything that touched my life through the years, births, deaths, weddings, flowers, animals, birds, the poor workers, my parents, lovers in the night, the biblical prophets on the street at home, in the temple and in heaven. And as I grew older, the tragedy of life within us and around us.’\u003c\/p\u003e\n\u003cp\u003eChagall worked right up until his death in France in 1985, aged 97. He was the last surviving master of European Modernism.\u003c\/p\u003e","brand":"Marc Chagall","offers":[{"title":"Charcoal","offer_id":46627998957844,"sku":null,"price":1250.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0761\/0911\/9764\/files\/029B_Small_95b2be7c-9eef-4d8a-902d-d38e65e5c9a3.jpg?v=1694548530"},{"product_id":"musee-des-beaux-arts-reims-1960","title":"Musée Des Beaux Arts, Reims 1960","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003ePrinter: \u003c\/strong\u003eMourlot (1 of 500 editions) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e78 x 54 cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good condition \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrame:\u003c\/strong\u003e Charcoal\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDescription: \u003c\/strong\u003eChagall designed this poster with Mourlot’s master printer, Charles Sorlier, for an exhibition at the Musée des Beaux Arts in Reims, France. It was about his stained-glass windows at the Cathedral in Metz. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eMarc Chagall (1887-1985) was a Russian-French-Jewish painter, book illustrator, ceramicist, stage-set designer, tapestry maker and undoubtedly one of the most influential modern artists of the 20\u003csup\u003eth\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003ecentury. He was also an unparalleled colourist. In 1954, Picasso said, ‘When Matisse dies, Chagall will be the only painter alive who understands what colour really is.’\u003c\/p\u003e\n\u003cp\u003eMost artists would begin the lithograph process with a black outline and then load subsequent plates with several colours to produce a clean coloured image. But Chagall would pour layer upon layer of colour into plates to create lithographs so dense in paint that they resembled paintings.\u003c\/p\u003e\n\u003cp\u003eIn 1948, Chagall, aged 61, was an internationally successful artist. He had lived through two world wars, the Russian Revolution and witnessed constant persecution of Jewish people. He had escaped occupied France with his family to live in New York during World War II but had returned to Paris a widower and in search of new beginnings. He teamed up with Charles Sorlier, one of the master lithographers at Mourlot studios and began to experiment. Chagall wrote several years later in 1960: ‘When I held a lithographic stone or a copperplate in my hand I thought I was touching a talisman. It seemed to me that I could put all my joys and sorrow in it…Everything that touched my life through the years, births, deaths, weddings, flowers, animals, birds, the poor workers, my parents, lovers in the night, the biblical prophets on the street at home, in the temple and in heaven. And as I grew older, the tragedy of life within us and around us.’\u003c\/p\u003e\n\u003cp\u003eChagall worked right up until his death in France in 1985, aged 97. He was the last surviving master of European Modernism.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Marc Chagall","offers":[{"title":"Charcoal","offer_id":46628042014996,"sku":null,"price":1250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0761\/0911\/9764\/files\/028B_Small_9f94eacc-9b41-4e46-8d60-cb47312b09f2.jpg?v=1694549157"},{"product_id":"musee-des-beaux-arts-reims-1961","title":"Musée Des Beaux Arts, Reims 1960","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003ePrinter: \u003c\/strong\u003eMourlot (1 of 500 editions) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eThe text and border has been cut by a previous owner \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eAvailable:\u003c\/strong\u003e In a charcoal frame £400 + P\u0026amp;P\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDescription: \u003c\/strong\u003eChagall designed this poster with Mourlot’s master printer, Charles Sorlier, for an exhibition at the Musée des Beaux Arts in Reims, France. It was about his stained-glass windows at the Cathedral in Metz. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eMarc Chagall (1887-1985) was a Russian-French-Jewish painter, book illustrator, ceramicist, stage-set designer, tapestry maker and undoubtedly one of the most influential modern artists of the 20\u003csup\u003eth\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003ecentury. He was also an unparalleled colourist. In 1954, Picasso said, ‘When Matisse dies, Chagall will be the only painter alive who understands what colour really is.’\u003c\/p\u003e\n\u003cp\u003eMost artists would begin the lithograph process with a black outline and then load subsequent plates with several colours to produce a clean coloured image. But Chagall would pour layer upon layer of colour into plates to create lithographs so dense in paint that they resembled paintings.\u003c\/p\u003e\n\u003cp\u003eIn 1948, Chagall, aged 61, was an internationally successful artist. He had lived through two world wars, the Russian Revolution and witnessed constant persecution of Jewish people. He had escaped occupied France with his family to live in New York during World War II but had returned to Paris a widower and in search of new beginnings. He teamed up with Charles Sorlier, one of the master lithographers at Mourlot studios and began to experiment. Chagall wrote several years later in 1960: ‘When I held a lithographic stone or a copperplate in my hand I thought I was touching a talisman. It seemed to me that I could put all my joys and sorrow in it…Everything that touched my life through the years, births, deaths, weddings, flowers, animals, birds, the poor workers, my parents, lovers in the night, the biblical prophets on the street at home, in the temple and in heaven. And as I grew older, the tragedy of life within us and around us.’\u003c\/p\u003e\n\u003cp\u003eChagall worked right up until his death in France in 1985, aged 97. 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He was also an unparalleled colourist. In 1954, Picasso said, ‘When Matisse dies, Chagall will be the only painter alive who understands what colour really is.’\u003c\/p\u003e\n\u003cp\u003eMost artists would begin the lithograph process with a black outline and then load subsequent plates with several colours to produce a clean coloured image. But Chagall would pour layer upon layer of colour into plates to create lithographs so dense in paint that they resembled paintings.\u003c\/p\u003e\n\u003cp\u003eIn 1948, Chagall, aged 61, was an internationally successful artist. He had lived through two world wars, the Russian Revolution and witnessed constant persecution of Jewish people. He had escaped occupied France with his family to live in New York during World War II but had returned to Paris a widower and in search of new beginnings. He teamed up with Charles Sorlier, one of the master lithographers at Mourlot studios and began to experiment. Chagall wrote several years later in 1960: ‘When I held a lithographic stone or a copperplate in my hand I thought I was touching a talisman. It seemed to me that I could put all my joys and sorrow in it…Everything that touched my life through the years, births, deaths, weddings, flowers, animals, birds, the poor workers, my parents, lovers in the night, the biblical prophets on the street at home, in the temple and in heaven. And as I grew older, the tragedy of life within us and around us.’\u003c\/p\u003e\n\u003cp\u003eChagall worked right up until his death in France in 1985, aged 97. He was the last surviving master of European Modernism.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Marc Chagall","offers":[{"title":"Charcoal","offer_id":46628080484628,"sku":null,"price":1250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0761\/0911\/9764\/files\/118_Small_91380217-db28-4ee8-af6a-81040475c541.jpg?v=1694549584"},{"product_id":"vitraux-pour-jerusalem-i-musee-des-arts-decoratifs-palais-du-louvre-paris-1961","title":"Vitraux Pour Jerusalem I - Musee Des Arts Decoratifs Palais Du Louvre, Paris 1961","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003ePrinter: \u003c\/strong\u003eMourlot (1 of 2,000 Editions) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e80 x 52 cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good condition \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrame:\u003c\/strong\u003e Charcoal \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription: \u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eChagall was commissioned by Sir Henry and Lady D’Avigdor-Goldsmid to paint and install 12 stained glass windows in the Hadassah Medical Centre synagogue in Jerusalem, as a tribute to their daughter who died aged 21 in a sailing accident. In 1961, he exhibited the full set of windows in Paris and later that year, in New York. The image in this poster for the French exhibition is one of the three windows in the northern view. He said when they were finally installed in 1968: ‘This is my gift to the Jewish people who have always dreamt of biblical love, friendship, and peace among all peoples.’\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003e\u003c\/span\u003eMarc Chagall (1887-1985) was a Russian-French-Jewish painter, book illustrator, ceramicist, stage-set designer, tapestry maker and undoubtedly one of the most influential modern artists of the 20\u003csup\u003eth\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003ecentury. He was also an unparalleled colourist. In 1954, Picasso said, ‘When Matisse dies, Chagall will be the only painter alive who understands what colour really is.’\u003c\/p\u003e\n\u003cp\u003eMost artists would begin the lithograph process with a black outline and then load subsequent plates with several colours to produce a clean coloured image. But Chagall would pour layer upon layer of colour into plates to create lithographs so dense in paint that they resembled paintings.\u003c\/p\u003e\n\u003cp\u003eIn 1948, Chagall, aged 61, was an internationally successful artist. He had lived through two world wars, the Russian Revolution and witnessed constant persecution of Jewish people. He had escaped occupied France with his family to live in New York during World War II but had returned to Paris a widower and in search of new beginnings. He teamed up with Charles Sorlier, one of the master lithographers at Mourlot studios and began to experiment. Chagall wrote several years later in 1960: ‘When I held a lithographic stone or a copperplate in my hand I thought I was touching a talisman. It seemed to me that I could put all my joys and sorrow in it…Everything that touched my life through the years, births, deaths, weddings, flowers, animals, birds, the poor workers, my parents, lovers in the night, the biblical prophets on the street at home, in the temple and in heaven. And as I grew older, the tragedy of life within us and around us.’\u003c\/p\u003e\n\u003cp\u003eChagall worked right up until his death in France in 1985, aged 97. He was the last surviving master of European Modernism.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Marc Chagall","offers":[{"title":"Charcoal","offer_id":46628091855124,"sku":null,"price":995.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0761\/0911\/9764\/files\/120_Small_ffe641fe-c3e5-434a-b053-e5a0033ae16f.jpg?v=1694549745"},{"product_id":"vitraux-pour-jerusalem-ii-musee-des-arts-decoratifs-palais-du-louvre-paris-1961","title":"Vitraux Pour Jerusalem II  - Musee Des Arts Decoratifs Palais Du Louvre, Paris 1961","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003ePrinter: \u003c\/strong\u003eMourlot (1 of 2,000 Editions) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e80 x 52 cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good condition \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrame:\u003c\/strong\u003e Charcoal\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription: \u003c\/strong\u003eChagall was commissioned by Sir Henry and Lady D’Avigdor-Goldsmid to paint and install 12 stained glass windows in the Hadassah Medical Centre synagogue in Jerusalem, as a tribute to their daughter who died aged 21 in a sailing accident. In 1961, he exhibited the full set of windows in Paris and later that year, in New York. The image in this poster for the French exhibition is one of the three windows in the northern view. He said when they were finally installed in 1968: ‘This is my gift to the Jewish people who have always dreamt of biblical love, friendship, and peace among all peoples.’\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eMarc Chagall (1887-1985) was a Russian-French-Jewish painter, book illustrator, ceramicist, stage-set designer, tapestry maker and undoubtedly one of the most influential modern artists of the 20\u003csup\u003eth\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003ecentury. He was also an unparalleled colourist. In 1954, Picasso said, ‘When Matisse dies, Chagall will be the only painter alive who understands what colour really is.’\u003c\/p\u003e\n\u003cp\u003eMost artists would begin the lithograph process with a black outline and then load subsequent plates with several colours to produce a clean coloured image. But Chagall would pour layer upon layer of colour into plates to create lithographs so dense in paint that they resembled paintings.\u003c\/p\u003e\n\u003cp\u003eIn 1948, Chagall, aged 61, was an internationally successful artist. He had lived through two world wars, the Russian Revolution and witnessed constant persecution of Jewish people. He had escaped occupied France with his family to live in New York during World War II but had returned to Paris a widower and in search of new beginnings. He teamed up with Charles Sorlier, one of the master lithographers at Mourlot studios and began to experiment. Chagall wrote several years later in 1960: ‘When I held a lithographic stone or a copperplate in my hand I thought I was touching a talisman. It seemed to me that I could put all my joys and sorrow in it…Everything that touched my life through the years, births, deaths, weddings, flowers, animals, birds, the poor workers, my parents, lovers in the night, the biblical prophets on the street at home, in the temple and in heaven. And as I grew older, the tragedy of life within us and around us.’\u003c\/p\u003e\n\u003cp\u003eChagall worked right up until his death in France in 1985, aged 97. He was the last surviving master of European Modernism.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Marc Chagall","offers":[{"title":"Charcoal","offer_id":46628102209812,"sku":null,"price":995.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0761\/0911\/9764\/files\/Hommage-36_LowRes.jpg?v=1736974812"},{"product_id":"die-zauberflote-the-magic-flute-metropolitan-opera-new-york-1966","title":"Die Zauberflote (The Magic Flute) - Metropolitan Opera, New York 1966","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003ePrinter: \u003c\/strong\u003eMourlot (1 of 5,000 editions) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e100 x 66 cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrame:\u003c\/strong\u003e Oak\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cb\u003eDescription: \u003c\/b\u003eThis poster was reproduced by Charles Sorlier, Mourlot’s master printer, to promote the ‘Magic Flute’ at the Metropolitan Opera in New York in 1966. The image is a reproduction of the lithograph after Marc Chagall.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eMarc Chagall (1887-1985) was a Russian-French-Jewish painter, book illustrator, ceramicist, stage-set designer, tapestry maker and undoubtedly one of the most influential modern artists of the 20\u003csup\u003eth\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003ecentury. He was also an unparalleled colourist. In 1954, Picasso said, ‘When Matisse dies, Chagall will be the only painter alive who understands what colour really is.’\u003c\/p\u003e\n\u003cp\u003eMost artists would begin the lithograph process with a black outline and then load subsequent plates with several colours to produce a clean coloured image. But Chagall would pour layer upon layer of colour into plates to create lithographs so dense in paint that they resembled paintings.\u003c\/p\u003e\n\u003cp\u003eIn 1948, Chagall, aged 61, was an internationally successful artist. He had lived through two world wars, the Russian Revolution and witnessed constant persecution of Jewish people. He had escaped occupied France with his family to live in New York during World War II but had returned to Paris a widower and in search of new beginnings. He teamed up with Charles Sorlier, one of the master lithographers at Mourlot studios and began to experiment. Chagall wrote several years later in 1960: ‘When I held a lithographic stone or a copperplate in my hand I thought I was touching a talisman. It seemed to me that I could put all my joys and sorrow in it…Everything that touched my life through the years, births, deaths, weddings, flowers, animals, birds, the poor workers, my parents, lovers in the night, the biblical prophets on the street at home, in the temple and in heaven. And as I grew older, the tragedy of life within us and around us.’\u003c\/p\u003e\n\u003cp\u003eChagall worked right up until his death in France in 1985, aged 97. He was the last surviving master of European Modernism.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Marc Chagall","offers":[{"title":"Oak","offer_id":46628118102292,"sku":null,"price":1750.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0761\/0911\/9764\/files\/WEB-33.png?v=1776785615"},{"product_id":"foundation-maeght-paris-1967","title":"Foundation Maeght, Saint Paul de Vence, 1967","description":"\u003cp\u003e\u003cstrong\u003ePrinter: \u003c\/strong\u003eMourlot (1 of 2,000 Editions) \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e87 x 58 cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eGood, very slight fading\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrame:\u003c\/strong\u003e Oak\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eMarc Chagall (1887-1985) was a Russian-French-Jewish painter, book illustrator, ceramicist, stage-set designer, tapestry maker and undoubtedly one of the most influential modern artists of the 20\u003csup\u003eth\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003ecentury. He was also an unparalleled colourist. In 1954, Picasso said, ‘When Matisse dies, Chagall will be the only painter alive who understands what colour really is.’\u003c\/p\u003e\n\u003cp\u003eMost artists would begin the lithograph process with a black outline and then load subsequent plates with several colours to produce a clean coloured image. But Chagall would pour layer upon layer of colour into plates to create lithographs so dense in paint that they resembled paintings.\u003c\/p\u003e\n\u003cp\u003eIn 1948, Chagall, aged 61, was an internationally successful artist. He had lived through two world wars, the Russian Revolution and witnessed constant persecution of Jewish people. He had escaped occupied France with his family to live in New York during World War II but had returned to Paris a widower and in search of new beginnings. He teamed up with Charles Sorlier, one of the master lithographers at Mourlot studios and began to experiment. Chagall wrote several years later in 1960: ‘When I held a lithographic stone or a copperplate in my hand I thought I was touching a talisman. It seemed to me that I could put all my joys and sorrow in it…Everything that touched my life through the years, births, deaths, weddings, flowers, animals, birds, the poor workers, my parents, lovers in the night, the biblical prophets on the street at home, in the temple and in heaven. And as I grew older, the tragedy of life within us and around us.’\u003c\/p\u003e\n\u003cp\u003eChagall worked right up until his death in France in 1985, aged 97. He was the last surviving master of European Modernism.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Marc Chagall","offers":[{"title":"Oak","offer_id":46628143038740,"sku":null,"price":995.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0761\/0911\/9764\/files\/089_Small_78b501f3-86f0-49be-9712-1b151c98b113.jpg?v=1694550339"},{"product_id":"nice-soleil-fleurs-1962","title":"Nice, Soleil Fleurs, 1962","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003ePrinter: \u003c\/strong\u003eMourlot (1 of 5,000 editions) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e100 x 62 cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrame:\u003c\/strong\u003e Silver \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription: \u003c\/strong\u003eNice: sun and flowers. 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But Chagall would pour layer upon layer of colour into plates to create lithographs so dense in paint that they resembled paintings.\u003c\/p\u003e\n\u003cp\u003eIn 1948, Chagall, aged 61, was an internationally successful artist. He had lived through two world wars, the Russian Revolution and witnessed constant persecution of Jewish people. He had escaped occupied France with his family to live in New York during World War II but had returned to Paris a widower and in search of new beginnings. He teamed up with Charles Sorlier, one of the master lithographers at Mourlot studios and began to experiment. Chagall wrote several years later in 1960: ‘When I held a lithographic stone or a copperplate in my hand I thought I was touching a talisman. It seemed to me that I could put all my joys and sorrow in it…Everything that touched my life through the years, births, deaths, weddings, flowers, animals, birds, the poor workers, my parents, lovers in the night, the biblical prophets on the street at home, in the temple and in heaven. And as I grew older, the tragedy of life within us and around us.’\u003c\/p\u003e\n\u003cp\u003eChagall worked right up until his death in France in 1985, aged 97. He was the last surviving master of European Modernism.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Marc Chagall","offers":[{"title":"Oak","offer_id":46628156899604,"sku":null,"price":2495.0,"currency_code":"GBP","in_stock":false},{"title":"Silver","offer_id":53494019195257,"sku":null,"price":2495.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0761\/0911\/9764\/files\/Hommage-57_LowRes.jpg?v=1736974868"},{"product_id":"musee-national-message-biblique-marc-chagall-nice-1977","title":"Musée National Message Biblique Marc Chagall, Nice 1977","description":"\u003cp\u003e\u003cstrong\u003ePrinter: \u003c\/strong\u003e\u003cspan\u003eMourlot (1 of 2,500 Editions) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e76 x 52 cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrame:\u003c\/strong\u003e Oak\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eMarc Chagall (1887-1985) was a Russian-French-Jewish painter, book illustrator, ceramicist, stage-set designer, tapestry maker and undoubtedly one of the most influential modern artists of the 20\u003csup\u003eth\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003ecentury. He was also an unparalleled colourist. In 1954, Picasso said, ‘When Matisse dies, Chagall will be the only painter alive who understands what colour really is.’\u003c\/p\u003e\n\u003cp\u003eMost artists would begin the lithograph process with a black outline and then load subsequent plates with several colours to produce a clean coloured image. But Chagall would pour layer upon layer of colour into plates to create lithographs so dense in paint that they resembled paintings.\u003c\/p\u003e\n\u003cp\u003eIn 1948, Chagall, aged 61, was an internationally successful artist. He had lived through two world wars, the Russian Revolution and witnessed constant persecution of Jewish people. He had escaped occupied France with his family to live in New York during World War II but had returned to Paris a widower and in search of new beginnings. He teamed up with Charles Sorlier, one of the master lithographers at Mourlot studios and began to experiment. Chagall wrote several years later in 1960: ‘When I held a lithographic stone or a copperplate in my hand I thought I was touching a talisman. It seemed to me that I could put all my joys and sorrow in it…Everything that touched my life through the years, births, deaths, weddings, flowers, animals, birds, the poor workers, my parents, lovers in the night, the biblical prophets on the street at home, in the temple and in heaven. And as I grew older, the tragedy of life within us and around us.’\u003c\/p\u003e\n\u003cp\u003eChagall worked right up until his death in France in 1985, aged 97. He was the last surviving master of European Modernism.\u003c\/p\u003e","brand":"Marc Chagall","offers":[{"title":"Oak","offer_id":46663371555092,"sku":null,"price":995.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0761\/0911\/9764\/files\/082_Small_efd5b8d2-343a-4787-96ee-f3425f321f56.jpg?v=1694850878"},{"product_id":"hommage-a-louis-aragon-musee-dart-modern-ceret-1971","title":"Hommage a Louis Aragon - Musee d'art Modern, Ceret 1971","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003ePrinter: \u003c\/strong\u003eMourlot (1 of 1,500 Editions) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e68 x 49 cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrame:\u003c\/strong\u003e Oak\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist: \u003c\/strong\u003e\u003c\/span\u003eMarc Chagall (1887-1985) was a Russian-French-Jewish painter, book illustrator, ceramicist, stage-set designer, tapestry maker and undoubtedly one of the most influential modern artists of the 20\u003csup\u003eth\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003ecentury. He was also an unparalleled colourist. In 1954, Picasso said, ‘When Matisse dies, Chagall will be the only painter alive who understands what colour really is.’\u003c\/p\u003e\n\u003cp\u003eMost artists would begin the lithograph process with a black outline and then load subsequent plates with several colours to produce a clean coloured image. But Chagall would pour layer upon layer of colour into plates to create lithographs so dense in paint that they resembled paintings.\u003c\/p\u003e\n\u003cp\u003eIn 1948, Chagall, aged 61, was an internationally successful artist. He had lived through two world wars, the Russian Revolution and witnessed constant persecution of Jewish people. He had escaped occupied France with his family to live in New York during World War II but had returned to Paris a widower and in search of new beginnings. He teamed up with Charles Sorlier, one of the master lithographers at Mourlot studios and began to experiment. Chagall wrote several years later in 1960: ‘When I held a lithographic stone or a copperplate in my hand I thought I was touching a talisman. It seemed to me that I could put all my joys and sorrow in it…Everything that touched my life through the years, births, deaths, weddings, flowers, animals, birds, the poor workers, my parents, lovers in the night, the biblical prophets on the street at home, in the temple and in heaven. And as I grew older, the tragedy of life within us and around us.’\u003c\/p\u003e\n\u003cp\u003eChagall worked right up until his death in France in 1985, aged 97. He was the last surviving master of European Modernism.\u003c\/p\u003e","brand":"Marc Chagall","offers":[{"title":"Oak","offer_id":46663411073300,"sku":null,"price":895.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0761\/0911\/9764\/files\/119_Small_626a406c-c9dd-4359-8d0e-08f691c06b2a.jpg?v=1694851220"},{"product_id":"bible-moses-and-the-tables-of-the-covenant-verve-33-34-1959","title":"Bible; Moses and the Tables of the Covenant - Verve 33-34 1959","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003ePrinter: \u003c\/strong\u003eMourlot (1 of 500 Editions) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e64 x 42 cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrame:\u003c\/strong\u003e Charcoal\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription: \u003c\/strong\u003eOriginal lithograph in six colours. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003eMarc Chagall (1887-1985) was a Russian-French-Jewish painter, book illustrator, ceramicist, stage-set designer, tapestry maker and undoubtedly one of the most influential modern artists of the 20\u003csup\u003eth\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003ecentury. He was also an unparalleled colourist. In 1954, Picasso said, ‘When Matisse dies, Chagall will be the only painter alive who understands what colour really is.’\u003c\/p\u003e\n\u003cp\u003eMost artists would begin the lithograph process with a black outline and then load subsequent plates with several colours to produce a clean coloured image. But Chagall would pour layer upon layer of colour into plates to create lithographs so dense in paint that they resembled paintings.\u003c\/p\u003e\n\u003cp\u003eIn 1948, Chagall, aged 61, was an internationally successful artist. He had lived through two world wars, the Russian Revolution and witnessed constant persecution of Jewish people. He had escaped occupied France with his family to live in New York during World War II but had returned to Paris a widower and in search of new beginnings. He teamed up with Charles Sorlier, one of the master lithographers at Mourlot studios and began to experiment. Chagall wrote several years later in 1960: ‘When I held a lithographic stone or a copperplate in my hand I thought I was touching a talisman. It seemed to me that I could put all my joys and sorrow in it…Everything that touched my life through the years, births, deaths, weddings, flowers, animals, birds, the poor workers, my parents, lovers in the night, the biblical prophets on the street at home, in the temple and in heaven. And as I grew older, the tragedy of life within us and around us.’\u003c\/p\u003e\n\u003cp\u003eChagall worked right up until his death in France in 1985, aged 97. He was the last surviving master of European Modernism.\u003c\/p\u003e","brand":"Marc Chagall","offers":[{"title":"Charcoal","offer_id":54825701867897,"sku":null,"price":1250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0761\/0911\/9764\/files\/116_Small_90677518-47ea-492b-9ec3-a1f888dc9a6c.jpg?v=1694851291"},{"product_id":"musee-national-message-biblique-nice-1975","title":"Musée National Message Biblique, Nice 1975","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003ePrinter: \u003c\/strong\u003eMourlot (1 of 8,500 Editions) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e75 x 50 cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrame:\u003c\/strong\u003e Charcoal\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDescription: \u003c\/strong\u003eThis poster was printed to promote the National Biblical Message Museum in Nice, to the Japanese.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist: \u003c\/strong\u003eMarc Chagall (1887-1985) was a Russian-French-Jewish painter, book illustrator, ceramicist, stage-set designer, tapestry maker and undoubtedly one of the most influential modern artists of the 20\u003csup\u003eth\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003ecentury. He was also an unparalleled colourist. In 1954, Picasso said, ‘When Matisse dies, Chagall will be the only painter alive who understands what colour really is.’\u003c\/p\u003e\n\u003cp\u003eMost artists would begin the lithograph process with a black outline and then load subsequent plates with several colours to produce a clean coloured image. But Chagall would pour layer upon layer of colour into plates to create lithographs so dense in paint that they resembled paintings.\u003c\/p\u003e\n\u003cp\u003eIn 1948, Chagall, aged 61, was an internationally successful artist. He had lived through two world wars, the Russian Revolution and witnessed constant persecution of Jewish people. He had escaped occupied France with his family to live in New York during World War II but had returned to Paris a widower and in search of new beginnings. He teamed up with Charles Sorlier, one of the master lithographers at Mourlot studios and began to experiment. Chagall wrote several years later in 1960: ‘When I held a lithographic stone or a copperplate in my hand I thought I was touching a talisman. It seemed to me that I could put all my joys and sorrow in it…Everything that touched my life through the years, births, deaths, weddings, flowers, animals, birds, the poor workers, my parents, lovers in the night, the biblical prophets on the street at home, in the temple and in heaven. And as I grew older, the tragedy of life within us and around us.’\u003c\/p\u003e\n\u003cp\u003eChagall worked right up until his death in France in 1985, aged 97. He was the last surviving master of European Modernism.\u003c\/p\u003e","brand":"Marc Chagall","offers":[{"title":"Charcoal","offer_id":46663425392916,"sku":null,"price":995.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0761\/0911\/9764\/files\/027B_Small_4425f82b-f191-4ed4-88a0-dc6098df61a8.jpg?v=1694851376"},{"product_id":"nice-cote-dazur-1954","title":"Salons de la TWA, Nice - Cote d'Azur, Paris 1954","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003ePrinter: \u003c\/strong\u003eMourlot \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e69 x 50 cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good condition \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrame:\u003c\/strong\u003e Oak\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDescription: \u003c\/strong\u003eOriginal lithograph poster from the Mourlot Studio, in very good condition, which was produced for the exhibition Nice-Côte d'Azur by Jean Cocteau, 1955. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eJean Cocteau was a French polymath and one of the principal creators of the Surrealist, avant-garde and Dadaist movements. As well as his art, he was a successful poet, playwright, novelist, designer and filmmaker, and regarded as one of the most influential artistic figures in the early 20th century. His hugely collectible artworks developed into a style often described as spare and whimsical. \u003c\/span\u003e\u003c\/p\u003e","brand":"Jean Cocteau","offers":[{"title":"Oak","offer_id":46663452623124,"sku":null,"price":795.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0761\/0911\/9764\/files\/078_Small_00770d2e-32f0-4acc-93fc-eec71a3cff43.jpg?v=1694851719"},{"product_id":"galerie-kriegel-paris-1965","title":"Galerie Kriegel, Paris 1965","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003ePrinter: \u003c\/strong\u003eMourlot \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e75 x 51 cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eGood, slight stain on lower end \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eFrame:\u003c\/strong\u003e Charcoal  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDescription: \u003c\/strong\u003eCottavoz reproduced a copy of a portrait of his mother who had encouraged him to paint as a teenager for his exhibition at Galerie Kriegel, Paris in 1965. An amateur artist herself, she advised him to: “Paint what you like, a bridge, a tree, a reflection on the water and forget the rest.” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eThe French painter, engraver and ceramicist André Cottavoz (1922-2012) trained at the Lyon Fine Arts School in 1939 and exhibited in many group international exhibitions after the Second World War. He was a maverick and founder member of a group of artist from his alma mater who painted without ‘isms’ - free from Impressionism, Fauvism, Cubism etc., choosing to paint ‘in the light’ and without any recognisable technique. Cottavoz moved to the French Riviera and met Picasso, Chagall and Pignon. Picasso said of Cottavoz’ work: “I don’t know if it is good or bad but that interests me!” Cottavoz went on to win the prestigious Fénéon Prize in 1953 and exhibited at the Prix National de Peinture and Biennale de Menton. The Japanese art dealer Kiyoshi Tamenaga exhibited many of his works at his gallery in Tokyo. By the early Sixties, Cottavoz was working in the Mourlot Studios in Paris to create many black and white, and coloured, lithographs. He signed an exclusive contract with the Galerie Kriegel, Paris in 1964 which hosted exhibitions until 1979.\u003cbr\u003e\u003c\/p\u003e","brand":"André Cottavoz","offers":[{"title":"Charcoal","offer_id":46663478739220,"sku":null,"price":495.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0761\/0911\/9764\/files\/003.jpg?v=1736974243"},{"product_id":"parc-floral-de-paris-1970","title":"Parc Floral de Paris, 1970","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003ePrinter: \u003c\/strong\u003eMichel Casse \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e62 x 42 cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eFrame: \u003c\/b\u003eCharcoal\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist: \u003c\/strong\u003eSonia Delaunay (13 November 1885 – 5 December 1979) was a French artist, fashionista and set designer. Born in Russia, she studied at the Academy of Fine Arts in Karlsruhe, Germany before moving to Paris in 1905 to continue studies at the Académie de la Palette in Montparnasse. After divorcing the German art dealer and gallery owner Wilhelm Uhde, she married the French artist, Robert Delaunay in 1910. The couple co-founded the Orphism art movement named in 1913 by their friend and poet, Guillaume Apollinaire to describe their version of Cubism which was based on strong colours and geometric shapes. Sonia lived most of her working life in Paris. She was the first living female artist to have a retrospective exhibition at the Louvre in 1964, and was named an officer of the French Legion of Honor the following year. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Sonia Delaunay","offers":[{"title":"Charcoal","offer_id":46663509180692,"sku":null,"price":595.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0761\/0911\/9764\/files\/Hommage-39_LowRes.jpg?v=1736975312"},{"product_id":"galerie-bernheim-jeune-paris-1959","title":"Galerie Bernheim - Jeune, Paris 1959","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003ePrinter: \u003c\/strong\u003eMourlot (1 of 1,000 Editions) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e66 x 49 cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Very good \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eFrame: \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eOak\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDescription: \u003c\/strong\u003ePrinted in 1959, this original lithographic poster was produced by Mourlot to promote an exhibition of Raoul Dufy’s paintings and gouaches at the renowned Bernheim-Jeune gallery in Paris. The exhibition was held in aid of the Entraide des Travailleurs Intellectuels, a charity supporting artists and other intellectual workers, giving it a purpose beyond simply celebrating Dufy’s remarkable career.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe image is taken from a series of gouaches Dufy painted during a visit to England in 1936 and depicts the Changing of the Guard at St James’s Palace. Britain held a particular\u003cbr\u003efascination for Dufy. He was captivated by the pageantry of royal ceremonies and the scarlet tunics and bearskins of the Foot Guards of the Household Division, and returned to paint subjects such as Royal Ascot, the Derby at Epsom, Henley Royal Regatta, and London’s ceremonial life. Rather than recording military detail with absolute precision, he painted atmosphere, movement and colour, transforming these great occasions into scenes full of rhythm, warmth and joie de vivre.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThere is another story behind this poster that is easy to overlook. Dufy painted the scene in 1936, during one of the most remarkable years in modern British royal history, marked by the death of George V, the accession and abdication of Edward VIII, and the beginning of George VI’s reign. By the time this poster was published in 1959, Europe had lived through war, occupation and reconstruction. Without ever intending it, Dufy’s joyful depiction of the Changing of the Guard had acquired an added historical resonance. A peaceful ceremonial scene, painted before the upheaval of the Second World War, had become a reminder of the \u003c\/span\u003e\u003cspan\u003econtinuity of tradition through one of the most turbulent periods of the twentieth century.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe poster was reproduced by Mourlot’s master printer Henri Deschamps, who worked\u003cbr\u003eclosely with Dufy for many years and understood better than most how to translate his\u003cbr\u003eluminous colour and expressive brushwork into lithography.\u003cbr\u003eWhether Grenadier, Coldstream, Scots, Irish or Welsh Guards, Dufy was less interested\u003cbr\u003ein distinguishing regiments than in capturing the timeless spectacle of one of Britain’s most enduring military traditions. For collectors, it is a wonderful meeting of French art, British heritage and twentieth-century history – a story every bit as compelling today as when the poster was first published in 1959.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003cstrong\u003eArtist: \u003c\/strong\u003eRaoul Dufy (1877-1953) was a French painter, draftsman, printmaker, book illustrator and designer associated with the fauvist movement. He studied at the École des Beaux-Arts in Le Havre and Paris. His first exhibition was in 1901. He painted recreational scenes including horse races and regattas and his colourful, decorative style was fashionable for ceramics and textile designs. He completed one of the largest public paintings for the La Fée Electricité for the 1937 Exposition Internationale in Paris. It is on display in the Museum of Modern Art in Paris.\u003c\/span\u003e\u003c\/p\u003e","brand":"Raoul Dufy","offers":[{"title":"Oak","offer_id":46663543685396,"sku":null,"price":895.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0761\/0911\/9764\/files\/WEB-66.png?v=1776961091"},{"product_id":"musee-dart-moderne-de-la-ville-de-paris-1958","title":"Musée D'Art Moderne De La Ville De Paris 1958","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003ePrinter: \u003c\/strong\u003eMourlot \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e66 x 45 cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrame:\u003c\/strong\u003e Silver\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cb\u003eDescription: \u003c\/b\u003eThis original lithographic poster promoted an exhibition at the Salon de Mai, held at the Musée d’Art Moderne de la Ville de Paris in 1958. The image is Forest at Dawn (La Forêt, à l’aube) by Max Ernst. The Salon de Mai was founded by a group of French artists during 1943 in a café in the Rue Dauphine in Paris during the German Occupation in opposition to Nazi ideology and its condemnation of degenerate art. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist: \u003c\/strong\u003eMax Ernst (1891-1976) was a German-born painter and sculptor. He studied philosophy, art history, literature, psychology and psychiatry at the University of Bonn. Visiting asylums, he became fascinated with the artwork of mentally ill patients and was inspired to paint. During the First World War, he was a soldier and emerged deeply traumatised and critical of western culture. He converted to Dada, a nihilistic art movement, and formed a group of Dada artists in Cologne creating startling collages and photomontages. Moving to Paris in 1922, he became one of the originators of surrealism who channelled automatic drawing from his subconscious to create dreamlike images. He began sculpting in 1934. The art collector and gallery owner Peggy Guggenheim acquired some of his pieces which she displayed in her London art gallery. At the outbreak of World War II, he escaped the Gestapo and fled to the United States with Peggy who became his third wife. They divorced after four years. Other friends, Marcel Duchamp and Marc Chagall had also fled from the war to New York City and between them, they inspired the development of abstract expressionism. He married his fourth wife, the American surrealist painter, Dorothea Tanning in 1946 and for a few years settled in Arizona. 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He studied at L’École des Beaux-Arts and was influenced by Brianchon, Picasso and Matisse. During periods of travel in Spain and Italy, he held his first exhibition at Marlborough Fine Art in London when he was living primarily at the Villa Medicis in Florence with Tilson, Francis Bacon and Corpora. In 1954 he began working with Charles Sorlier, a master printer at Mourlot’s Atelier where he began a series of lithographs. 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During his studies at the École des Beaux-Arts in Paris, and a period travelling through Spain and Italy painting and weaving tapestries, he was drafted into the army. He was taken prisoner during the Second World War but managed to escape, returning to Paris during the Occupation with a false identity to continue his studies and meet his tutor, the cubist artist, André Lhote. Hilaire became Lhote’s assistant and later appointed professor of Beaux-Arts in Nancy and later in Paris until 1968. In that time, he was awarded the Prix de Venise and the Prix de la Casa de Velázques and held his first exhibition in Paris in 1951 at the Galerie Valloton. After that, he exhibited regularly at international art fairs in Geneva, Cannes and Deauville. 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By dividing the canvas into three sections and inserting two wooden balls between them, he blurred the boundary between painting and sculpture with a deceptively simple gesture. It was precisely this ability to question accepted ideas that established him as one of the leading figures of post-war American art.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe image also brings together many of the visual elements that make Johns work so easy to recognise. Bold colour, geometric structure and stencilled lettering all feature prominently, echoing the visual language of his celebrated Flags, Targets, Maps and Numbers series.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePrinted as a screenprint by Albin Uldry, the poster shows how consistently Johns’ has returned to printmaking and graphic design.  Rather than just advertising an exhibition, it shows Johns at a moment when he was rethinking how painting, print and object could relate to one another.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eJasper Johns is an American painter, sculptor and printmaker whose work bridges abstract expressionism, pop and minimal art. The American flag and US-related topics are regular themes. 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Founded by the distinguished art dealer Heinz Berggruen, the gallery became one of the great centres of post-war modern art, exhibiting works by artists including Picasso, Matisse, Klee and Kandinsky.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eKandinsky is widely regarded as one of the pioneers of abstract art. He believed that colours, lines and shapes could evoke emotion in much the same way as music, creating paintings that were intended to be felt as much as understood. After studying at the Academy of Fine Arts in Munich, he gradually abandoned representational painting, developing a visual language that transformed twentieth-century art. His influence extended far beyond the canvas. As a teacher at the Bauhaus from 1922, he helped shape generations of artists, architects and designers with his revolutionary ideas on colour, composition and design.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBeautifully printed by Mourlot, this poster brings together two giants of modern art at one of Paris’s most influential galleries. It captures a remarkable moment in post-war Paris, when collectors could discover the work of Kandinsky and Klee side by side, and remains a superb example of the golden age of the French exhibition poster.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eWassily Kandinsky was an influential Russian painter and art theorist who pioneered abstract art in the late 19th and early 20th centuries. He had originally studied law and economics and didn’t focus on art until he was 30. He taught himself to draw while he waited for a place to study at the University of Munich. He was inspired by Monet’s Haystacks and he listened to music by Wagner because he would hear colour as sound. Philosophy, spiritualism and inner vision also inspired him to develop his artistic style. Later, in 1922, he taught at the Bauhaus in Weimar, and was given his first solo show in New York the following year. He moved with the Bauhaus to Dessau in 1925 becoming a German citizen in 1928. Many of his works were confiscated by the Nazis in 1937 during their purge of ‘degenerate art’ and after another move, he acquired French citizenship. 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After initial rejection, he enrolled at the École des Beaux-Arts and the Académie Julian in Paris. His early inspiration came from Cézanne, and in 1909, he lived in Montparnasse and met artists including Chagall and Delaunay. He was also inspired by the early cubism of Picasso and Braque. By 1911, he was one of the first painters, along with Metzinger, Gleizes, Le Fauconnier and Delaunay to bring cubism to the public’s attention at an exhibition organised by the Salon des Indépendants. He developed his own form of cubism that his critics termed ‘Tubism’ because of its focus on cylindrical forms. Regarded as a forerunner of pop art, his work changed from cubist-derived abstraction which covered his ‘mechanical’ period inspired from active service at the front in the First World War; designing sets and costumes for ballet; filmmaking and series’ of routine human activities, to distinctive realist imagery. 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After initial rejection, he enrolled at the École des Beaux-Arts and the Académie Julian in Paris. His early inspiration came from Cézanne, and in 1909, he lived in Montparnasse and met artists including Chagall and Delaunay. He was also inspired by the early cubism of Picasso and Braque. By 1911, he was one of the first painters, along with Metzinger, Gleizes, Le Fauconnier and Delaunay to bring cubism to the public’s attention at an exhibition organised by the Salon des Indépendants. He developed his own form of cubism that his critics termed ‘Tubism’ because of its focus on cylindrical forms. Regarded as a forerunner of pop art, his work changed from cubist-derived abstraction which covered his ‘mechanical’ period inspired from active service at the front in the First World War; designing sets and costumes for ballet; filmmaking and series’ of routine human activities, to distinctive realist imagery. 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He studied at the Brussels Académie des Beaux-Arts at the very young age of eleven before moving to Paris to attend the École des Beaux-Art 1912-1914. He was initially inspired by Paul Cézanne before developing an interest in cubism from Juan Gris, and later surrealism. Masson was seriously injured in the First World War and spent months in military hospitals and a psychiatric facility. Much of his work was underpinned by trauma. Themes revolved around nature, metamorphosis, mythology, violence, eroticism, love and death. His ‘automatic drawings’, which he channelled through his subconscious, had a great influence on Jackson Pollock. 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The approach had a lasting influence, not only on the Surrealists but later on artists such as Jackson Pollock. His imagery is unmistakable, with figures, animals and landscapes flowing into one another in compositions that seem to exist somewhere between dreams and reality.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePrinted as a silkscreen on Canson paper, the poster conveys the energy and freedom that run through Masson’s work. It also marks a point when one of the last major figures of the original Surrealist movement was being recognised for a lifetime of inventive work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eAndré Masson (1896-1987) was a French painter, sculptor, illustrator, designer and writer. He studied at the Brussels Académie des Beaux-Arts at the very young age of eleven before moving to Paris to attend the École des Beaux-Art 1912-1914. 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He studied at the École des Beaux-Arts in Paris and would quickly become the leader of the fauvist movement. He was known for his use of brilliant colour, inspired by his time on the French Riviera, and his fluid and original draughtsmanship. He was one of the three artists, along with Picasso and Marcel Duchamp, who began to revolutionise the artworld from the 1900s. For over 60 years, his vast output included painting, drawing, sculpture, graphic arts – etchings, linocuts, aquatints, paper cut-outs and book illustrations. And he worked with Mourlot studios on lithographs and exhibition posters.\u003c\/span\u003e\u003c\/p\u003e","brand":"Henri Matisse","offers":[{"title":"Oak","offer_id":46664053883156,"sku":null,"price":1750.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0761\/0911\/9764\/files\/091_Small_c53ee918-9209-413a-a050-afb7b625ea71.jpg?v=1694856657"},{"product_id":"travail-et-joie-nice-1948","title":"Musée National D'Art Modern, Paris, 1956","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003ePrinter: \u003c\/strong\u003eMourlot \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e70 x 52 cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrame:\u003c\/strong\u003e Oak.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription: \u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eThis beautiful poster was used to promote an exhibition at the Musée National d'Art Moderne de Paris, Paris, 1956. \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eArtist: \u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eHenri Matisse (1869-1954) the French artist, draughtsman, printmaker, sculptor and painter was one of the undisputed masters and influential artists of 20th century art. He studied at the École des Beaux-Arts in Paris and would quickly become the leader of the fauvist movement. He was known for his use of brilliant colour, inspired by his time on the French Riviera, and his fluid and original draughtsmanship. He was one of the three artists, along with Picasso and Marcel Duchamp, who began to revolutionise the artworld from the 1900s. For over 60 years, his vast output included painting, drawing, sculpture, graphic arts – etchings, linocuts, aquatints, paper cut-outs and book illustrations. And he worked with Mourlot studios on lithographs and exhibition posters.\u003c\/span\u003e\u003c\/p\u003e","brand":"Henri Matisse","offers":[{"title":"Oak","offer_id":46664075215124,"sku":null,"price":1750.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0761\/0911\/9764\/files\/WEB-47.png?v=1776861462"},{"product_id":"exposition-daffiches-kleber-gallery-paris-1952","title":"Exposition D'Affiches  Kleber Gallery, Paris 1952","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003ePrinter: \u003c\/strong\u003eMourlot (1 of 800 Editions) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e65 x 50 cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrame:\u003c\/strong\u003e Charcoal\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription: \u003c\/strong\u003eThis original lithograph, on Arches paper, was created to celebrate the centenary of the Mourlot Studio with exhibition posters they had printed between 1927 and 1952. The cut-outs for this image was specially designed by Matisse in six vibrant colours.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eHenri Matisse (1869-1954) the French artist, draughtsman, printmaker, sculptor and painter was one of the undisputed masters and influential artists of 20th century art. He studied at the École des Beaux-Arts in Paris and would quickly become the leader of the fauvist movement. He was known for his use of brilliant colour, inspired by his time on the French Riviera, and his fluid and original draughtsmanship. He was one of the three artists, along with Picasso and Marcel Duchamp, who began to revolutionise the artworld from the 1900s. For over 60 years, his vast output included painting, drawing, sculpture, graphic arts – etchings, linocuts, aquatints, paper cut-outs and book illustrations. And he worked with Mourlot studios on lithographs and exhibition posters.\u003c\/span\u003e\u003c\/p\u003e","brand":"Henri Matisse","offers":[{"title":"Charcoal","offer_id":46664091926804,"sku":null,"price":1995.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0761\/0911\/9764\/files\/WEB-74.png?v=1777031079"},{"product_id":"la-nanseuse-creole-musee-matisse-nice-1965","title":"La Danseuse Creole Musée Matisse, Nice 1965","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003ePrinter: \u003c\/strong\u003eMourlot \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cb\u003eDimensions: \u003c\/b\u003e99 x 62 cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrame:\u003c\/strong\u003e Silver\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e \u003c\/span\u003eMatisse used this cut-out picture to design a poster with the Mourlot studios, to promote the city of Nice for the French Tourism office in 1965. The image, Danseuse Créole (Créole Dancer) is one of Matisse’s favourite pieces. He sketched the American dancer Katherine Dunham while she performed in his studio, and with surplus pieces of coloured paper, he created the cut-out in a single day. He gifted the work to the Musée Matisee in Nice in 1953.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eHenri Matisse (1869-1954) the French artist, draughtsman, printmaker, sculptor and painter was one of the undisputed masters and influential artists of 20th century art. He studied at the École des Beaux-Arts in Paris and would quickly become the leader of the fauvist movement. He was known for his use of brilliant colour, inspired by his time on the French Riviera, and his fluid and original draughtsmanship. He was one of the three artists, along with Picasso and Marcel Duchamp, who began to revolutionise the artworld from the 1900s. For over 60 years, his vast output included painting, drawing, sculpture, graphic arts – etchings, linocuts, aquatints, paper cut-outs and book illustrations. And he worked with Mourlot studios on lithographs and exhibition posters.\u003c\/span\u003e\u003c\/p\u003e","brand":"Henri Matisse","offers":[{"title":"Silver","offer_id":46664099758356,"sku":null,"price":1750.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0761\/0911\/9764\/files\/WEB-NEW3.png?v=1782987678"},{"product_id":"the-sculpture-of-matisse-the-tate-gallery-london-1953","title":"The Sculpture of Matisse, The Tate Gallery, London 1953","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003ePrinter: \u003c\/strong\u003eMourlot (1 of 800 Editions) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e76 x 52 cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrame:\u003c\/strong\u003e Currently unframed, due to be framed in Oak and another in Charcoal\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription: \u003c\/strong\u003eMatisse was virtually unknown as a sculptor, and this poster promoted a landmark exhibition that brought together almost the entire oeuvre of his sculptural work, comprising 48 pieces, alongside studies for six paintings and a selection of drawings.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eHenri Matisse (1869-1954) the French artist, draughtsman, printmaker, sculptor and painter was one of the undisputed masters and influential artists of 20th century art. He studied at the École des Beaux-Arts in Paris and would quickly become the leader of the fauvist movement. He was known for his use of brilliant colour, inspired by his time on the French Riviera, and his fluid and original draughtsmanship. He was one of the three artists, along with Picasso and Marcel Duchamp, who began to revolutionise the artworld from the 1900s. For over 60 years, his vast output included painting, drawing, sculpture, graphic arts – etchings, linocuts, aquatints, paper cut-outs and book illustrations. And he worked with Mourlot studios on lithographs and exhibition posters.\u003c\/span\u003e\u003c\/p\u003e","brand":"Henri Matisse","offers":[{"title":"Oak","offer_id":46664105918740,"sku":null,"price":2495.0,"currency_code":"GBP","in_stock":true},{"title":"Charcoal","offer_id":56994183676281,"sku":null,"price":2495.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0761\/0911\/9764\/files\/WEB-49.png?v=1776862140"},{"product_id":"hommage-a-teriade-royal-academy-of-arts-1975","title":"Hommage à Tériade – Royal Academy of Arts, London, 1975","description":"\u003cp\u003e\u003cstrong\u003ePrinter: \u003c\/strong\u003eG\u0026amp;B Arts Ltd\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e76 x 51 cm\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrame:\u003c\/strong\u003e Oak\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTériade was one of the most influential art publishers of the twentieth century, although his name is far less familiar than the artists he worked alongside. Born Stratis Eleftheriades in Greece, he collaborated with Picasso, Chagall, Miró and Matisse, encouraging them to create some of the finest illustrated books ever produced.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis exhibition poster was published for the Royal Academy of Arts’ 1975 tribute to Tériade in London. The image is \u003c\/span\u003e\u003cspan\u003eThe Sword Swallower\u003c\/span\u003e\u003cspan\u003e (\u003c\/span\u003e\u003cspan\u003eL’Avaleur de sabres\u003c\/span\u003e\u003cspan\u003e), taken from Matisse’s \u003c\/span\u003e\u003cspan\u003eJazz\u003c\/span\u003e\u003cspan\u003e (1947), widely regarded as one of the greatest artist’s books of the twentieth century. Matisse’s bold paper cutouts and Tériade’s insistence on the very highest standards of printing combined to produce a book that changed expectations of what an illustrated publication could be.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMatisse had been dead for more than twenty years when this exhibition took place, but the partnership between artist and publisher still stood as one of the defining collaborations of modern art. The poster is a reminder that some of the greatest works on paper owe as much to inspired publishers as they do to the artists themselves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eHenri Matisse (1869-1954) the French artist, draughtsman, printmaker, sculptor and painter was one of the undisputed masters and influential artists of 20th century art. He studied at the École des Beaux-Arts in Paris and would quickly become the leader of the fauvist movement. He was known for his use of brilliant colour, inspired by his time on the French Riviera, and his fluid and original draughtsmanship. He was one of the three artists, along with Picasso and Marcel Duchamp, who began to revolutionise the artworld from the 1900s. For over 60 years, his vast output included painting, drawing, sculpture, graphic arts – etchings, linocuts, aquatints, paper cut-outs and book illustrations. And he worked with Mourlot studios on lithographs and exhibition posters.\u003c\/span\u003e\u003c\/p\u003e","brand":"Henri Matisse","offers":[{"title":"Oak","offer_id":46664139538708,"sku":null,"price":395.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0761\/0911\/9764\/files\/063_Small_431edd36-d2df-4e99-ab5e-d7482f675726.jpg?v=1694857328"},{"product_id":"galerie-maeght-paris-1958","title":"Galerie Maeght, Paris 1958","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003ePrinter: \u003c\/strong\u003eMourlot \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e68 x 43 cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good condition\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eFrame: \u003c\/b\u003eCharcoal\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDescription: \u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003ePablo Palazuelo brought an architect’s eye to abstract painting. Trained in architecture before turning to art, he built his compositions from carefully balanced geometric forms, creating work that feels both disciplined and quietly poetic.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHis 1958 exhibition at the Galerie Maeght in Paris placed him alongside some of the biggest names in twentieth century art. Miró, Braque, Calder, Giacometti and Chagall all exhibited there, and an invitation from Maeght confirmed Palazuelo’s growing reputation beyond Spain.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe ideas that shaped his paintings also found their way into sculpture. His monumental steel works, many of which remain in public spaces across Spain and France, explore the same relationships between line, geometry and space. This original exhibition poster reflects that distinctive way of seeing and introduces an artist whose work still feels remarkably fresh today.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003ePablo Palazuelo (1915-2007) was a Spanish painter. He qualified as an architect before serving in the Spanish Civil War, after which he devoted his time to painting. His early abstracted still lifes were influenced by Juan Gris, Picasso and Daniel Vázques Díaz. He moved to Paris in 1948 and worked in geometric-abstract style founded on the constant exploration of new shapes and their infinite variations. He exhibited in the inaugural Salon de Mai, Paris in 1949. His first solo exhibition was in 1955 with Galerie Maeght who he continued to exhibit with until the 1980s. \u003c\/span\u003e\u003c\/p\u003e","brand":"Pablo Palazuelo","offers":[{"title":"Charcoal","offer_id":46664637972756,"sku":null,"price":395.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0761\/0911\/9764\/files\/32_Small_b2bf9ca2-fd82-44af-8b89-aee10ddf5738.jpg?v=1694860471"},{"product_id":"xxiv-festival-davignon-palais-des-papes-avignon-1970","title":"XXIV Festival D'Avignon - Palais des Papes, Avignon 1970","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003ePrinter: \u003c\/strong\u003eMourlot (1 of 10,000 Editions) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e76 x 50 cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good condition \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eFrame: \u003c\/strong\u003eOak, charcoal and red (at request)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDescription: \u003c\/strong\u003eThis poster was designed by Mourlot together with Yvonne Zervos, using an image from oil on plywood which Picasso painted in Notre-Dame-De-Vie in July 1969. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist: \u003c\/strong\u003ePablo Picasso (1881-1973) was a Spanish painter, sculptor, printmaker, ceramicist and theatre designer who spent most of his adult life in France. As one of the most influential artists of the 20th century, his extraordinary artistic genius made him the ‘rock star’ of the Modern Art world pioneering cubism, surrealism, expressionism and collage. Throughout his long career, he produced more than 20,000 paintings, prints, drawings, sculptures, ceramics, theatre sets, and costumes. From the mid-1940s, he also worked with the Mourlot studios in Paris and created over 400 lithographs and exhibition posters. As well as Fernand Mourlot, Henri Deschamps was Picasso's favourite and most trusted master printer at the studio and they collaborated together from 1945 right up until Picasso’s death in 1973.\u003c\/span\u003e\u003c\/p\u003e","brand":"Pablo Picasso","offers":[{"title":"Oak","offer_id":46664663597332,"sku":null,"price":895.0,"currency_code":"GBP","in_stock":true},{"title":"Red","offer_id":47165190570260,"sku":"","price":895.0,"currency_code":"GBP","in_stock":false},{"title":"Charcoal","offer_id":54825702818169,"sku":null,"price":895.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0761\/0911\/9764\/files\/44_Small_a1810c21-e993-4b4c-bd3d-ac710406cd39.jpg?v=1694860562"},{"product_id":"xxxii-festival-davignon-palais-des-papes-avignon-1978","title":"XXXII Festival D'Avignon - Palais des Papes, Avignon 1978","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003ePrinter: \u003c\/strong\u003eMourlot \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e79 x 58 cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eAvailable: \u003c\/strong\u003eOak frame  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDescription: \u003c\/strong\u003eThis poster was designed to promote 50 years of lithography from the Mourlot studio at the Avignon Festival in 1969. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist: \u003c\/strong\u003ePablo Picasso (1881-1973) was a Spanish painter, sculptor, printmaker, ceramicist and theatre designer who spent most of his adult life in France. As one of the most influential artists of the 20th century, his extraordinary artistic genius made him the ‘rock star’ of the Modern Art world pioneering cubism, surrealism, expressionism and collage. Throughout his long career, he produced more than 20,000 paintings, prints, drawings, sculptures, ceramics, theatre sets, and costumes. From the mid-1940s, he also worked with the Mourlot studios in Paris and created over 400 lithographs and exhibition posters. As well as Fernand Mourlot, Henri Deschamps was Picasso's favourite and most trusted master printer at the studio and they collaborated together from 1945 right up until Picasso’s death in 1973.\u003c\/span\u003e\u003c\/p\u003e","brand":"Pablo Picasso","offers":[{"title":"Oak","offer_id":46664682701076,"sku":null,"price":695.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0761\/0911\/9764\/files\/WEB-138.png?v=1785425236"},{"product_id":"sixieme-biennale-de-peinture-menton-1966","title":"Sixième Biennale de Peinture, Menton 1966","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003ePrinter: \u003c\/strong\u003eMourlot (1 of 2,500 Editions) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDescription: \u003c\/strong\u003e71 x 49 cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eFrame: \u003c\/strong\u003eCharcoal\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDescription: \u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003ePicasso’s \u003c\/span\u003e\u003cspan\u003eFemme et Enfant\u003c\/span\u003e\u003cspan\u003e (Woman and Child), painted in 1965, was chosen for this original exhibition poster for the Sixième Biennale de Peinture, held in Menton on the French Riviera in 1966. It was printed at the Atelier Mourlot in Paris under the direction of Henri Deschamps, one of the master printers who worked closely with Picasso throughout his career.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBy the mid 1960s, Picasso was in his eighties and still working at an astonishing pace. His later paintings became increasingly spontaneous, painted with the confidence of an artist who no longer felt the need to prove anything. Living on the Côte d’Azur, he drew constant inspiration from the Mediterranean and its light, making Menton an entirely fitting place for an international exhibition of contemporary art.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe real appeal of this poster is that it belongs to Picasso’s final creative chapter. Far from slowing down, he continued to experiment, surprise and reinvent himself almost until the end of his life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003ePablo Picasso (1881-1973) was a Spanish painter, sculptor, printmaker, ceramicist and theatre designer who spent most of his adult life in France. As one of the most influential artists of the 20th century, his extraordinary artistic genius made him the ‘rock star’ of the Modern Art world pioneering cubism, surrealism, expressionism and collage. Throughout his long career, he produced more than 20,000 paintings, prints, drawings, sculptures, ceramics, theatre sets, and costumes. From the mid-1940s, he also worked with the Mourlot studios in Paris and created over 400 lithographs and exhibition posters. As well as Fernand Mourlot, Henri Deschamps was Picasso's favourite and most trusted master printer at the studio and they collaborated together from 1945 right up until Picasso’s death in 1973.\u003c\/span\u003e\u003c\/p\u003e","brand":"Pablo Picasso","offers":[{"title":"Charcoal","offer_id":47165238837524,"sku":"","price":1250.0,"currency_code":"GBP","in_stock":true},{"title":"Green","offer_id":63755962188153,"sku":null,"price":1250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0761\/0911\/9764\/files\/HOMMAGE-24.png?v=1772798654"},{"product_id":"sixieme-biennale-de-peinture-avant-la-lettre-1966","title":"Sixième Biennale de Peinture “Avant la Lettre” 1966","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003ePrinter:\u003c\/strong\u003e Mourlot (Numbered 351 of 500 Editions) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e71 x 49 cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eGood \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eAvailable:\u003c\/strong\u003e Oak\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDescription: \u003c\/strong\u003eThis is a colour photo-engraving and colour lithographic poster, without lettering, designed by Mourlot. The image is 'Mother with Child' painted by Picasso in 1965. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist: \u003c\/strong\u003ePablo Picasso (1881-1973) was a Spanish painter, sculptor, printmaker, ceramicist and theatre designer who spent most of his adult life in France. As one of the most influential artists of the 20th century, his extraordinary artistic genius made him the ‘rock star’ of the Modern Art world pioneering cubism, surrealism, expressionism and collage. Throughout his long career, he produced more than 20,000 paintings, prints, drawings, sculptures, ceramics, theatre sets, and costumes. From the mid-1940s, he also worked with the Mourlot studios in Paris and created over 400 lithographs and exhibition posters. As well as Fernand Mourlot, Henri Deschamps was Picasso's favourite and most trusted master printer at the studio and they collaborated together from 1945 right up until Picasso’s death in 1973.\u003c\/span\u003e\u003c\/p\u003e","brand":"Pablo Picasso","offers":[{"title":"Oak","offer_id":46664706294036,"sku":null,"price":995.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0761\/0911\/9764\/files\/Hommage-38_LowRes.jpg?v=1736974994"}],"url":"https:\/\/hommage-art.com\/collections\/all.oembed?page=15","provider":"Hommage Art","version":"1.0","type":"link"}