{"title":"Gallery","description":"","products":[{"product_id":"musee-national-dart-moderne-paris-1966","title":"Galerie Maeght, Paris 1970","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003ePrinter: \u003c\/strong\u003eArte \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e61 x 40 cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good condition\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrame:\u003c\/strong\u003e Charcoal \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription: \u003c\/strong\u003eAn original Galerie Maeght lithographic poster for the artist’s 1970 exhibition. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eJean René Bazaine (1904-2001) was a French painter and writer. The great grandson of the English Court portraitist Sir George Hayter, he was born in Paris and studied sculpture with Paul Landowski before switching to painting at the École des Beaux-Art. His work was first shown in group exhibitions with Fautrier, Pougny, Goerg and Gromaire from 1930. And with the encouragement of Bonnard, held his first solo exhibition in 1932. After the Second World War, Galerie Maeght hosted his first major solo exhibition in 1949\/50 with many more thereafter. \u003c\/span\u003e\u003c\/p\u003e","brand":"Jean Bazaine","offers":[{"title":"Charcoal","offer_id":53476323787129,"sku":null,"price":395.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0761\/0911\/9764\/files\/Hommage-44_LowRes.jpg?v=1736974716"},{"product_id":"berthemont-les-bains-nice-1950","title":"Berthemont Les Bains, Nice 1950","description":"\u003cp\u003e\u003cstrong\u003ePrinter: \u003c\/strong\u003eRobaudy, Cannes\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e120 x 80 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eFrame:\u003c\/strong\u003e Oak\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription: \u003c\/strong\u003eFrom the 1950s, this large original lithograph advertised the health and beauty benefits of Berthemont-Les-Bains ­– a thermal spa town on the French Riviera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003eEmmanuel Bellini was a French architect, painter, draughtsman and figurative lithographer. He was born in Monaco and grew up during the height of the Belle Époque. He remembered his childhood lit with sunshine and bright colours as he watched aristocrats and gentlefolk visiting casinos, opera and the glorious coastline – joyful memories that would later inspire his art. He studied at the Rocher drawing school before working for a firm of architects. Teaching himself to paint, he combined his day job as an architect in Cannes with his love of art. Influenced by Fauvism and Impression, and using intense colour, his output was prolific and he exhibited many times in the South of France. One of Bellini’s many admirers was Prince Rainier of Monaco who loved his cheerful pictures and supported many of his exhibitions.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Emmanuel Bellini","offers":[{"title":"Oak","offer_id":46627609870612,"sku":null,"price":1250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0761\/0911\/9764\/files\/065_Small_f69d2132-0d19-4cb4-a723-4ece8a8f04bf.jpg?v=1694544852"},{"product_id":"musee-monetaire-de-paris-paris-1972","title":"Musée Monétaire de Paris, Paris 1972","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003ePrinter: \u003c\/strong\u003eMourlot \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e70 x 50 cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eFrame: \u003c\/b\u003eSilver\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist: \u003c\/strong\u003eRoger Bezombes was a French painter, sculptor, designer and printmaker. Born in Paris, he was orphaned at a young age and forced to work in many different jobs to fund his painting career. At 17, he helped install the major Bauhaus exhibition at the Grand Palais in 1930. He would later study at the École des Beaux-Arts in Paris where he met Maurice Denis who introduced him to the works of Gaugin, Van Gogh and Matisse all of which would inspire and influence much of his own artistic style. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter winning a prestigious award in 1936, Bezombes was offered a grant to study in Africa. Travel continued to influence his work and it was on a trip to Greece in 1951 that he developed a passion for tapestry. In 1955 he was appointed the official painter of the French Navy. He exhibited in group and solo shows with many of his brightly coloured landscape and figure studies, reminiscent of exotic African cultures, throughout his career. He died in Paris in 1994.\u003c\/span\u003e\u003c\/p\u003e","brand":"Roger Bezombes","offers":[{"title":"Silver","offer_id":46627649552660,"sku":null,"price":495.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0761\/0911\/9764\/files\/094_Small_e6dd1a97-c3b1-46a0-a6f7-db87e9fbab9b.jpg?v=1694545480"},{"product_id":"les-peintres-temoins-de-leur-temps-musee-galliera-paris-1961","title":"Les Peintres Temoins De Leur Temps - Musee Galliera, Paris 1961","description":"\u003cp\u003e\u003cstrong\u003ePrinter: \u003c\/strong\u003eMourlot\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e75 x 55 cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"fullscreen-side-bar-description\" tabindex=\"-1\"\u003e\u003cspan\u003e\u003cstrong\u003eFrame: \u003c\/strong\u003eCharcoal\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"fullscreen-side-bar-description\" tabindex=\"-1\"\u003e\n\u003cspan\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fullscreen-side-bar-description\" tabindex=\"-1\"\u003e\u003cspan\u003e\u003cstrong\u003eDescription: \u003c\/strong\u003eThis lithographic poster was created by the Mourlot Studio to promote the annual exhibition in 1961 of Les Peintres témoins de leurs temps which translates to ‘Painters who are witnesses of their time’. The image of the birds can be seen on the ceiling in the Salle Henri II in the Louvre in Paris. It was one of Braque’s three panels commissioned by the museum in 1953.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"fullscreen-side-bar-description\" tabindex=\"-1\"\u003e\n\u003cspan\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fullscreen-side-bar-description\" tabindex=\"-1\"\u003e\u003cspan\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eGeorges Braque was a French painter from Normandy best known for developing cubism with Pablo Picasso. From school, he followed his family’s trade as a house painter and decorator, taking art classes at night before moving to Paris to study at the Académie Humbert in Montmartre. Inspired by the impressionists, he focused on landscapes with increasing use of bold colour and shapes which resulted in his alliance with fauvism. This artistic movement, steered by Matisse, Maurice de Vlaminck, André Derain, Othon Friesz and Raoul Dufy broke new ground in art as it moved away from representational form. Braque had by then met Picasso and between 1906 and the outbreak of the First World War, they began to further deconstruct artistic norms to develop cubism. Braque sustained a severe head injury during the war and was slow to return to art but it was said his work was bolder, freer, and his style continued to evolve as he embraced collage, sculpting, lithography, jewellery design and stage sets. He died in 1963.\u003c\/span\u003e\u003c\/div\u003e","brand":"Georges Braque","offers":[{"title":"Charcoal","offer_id":46627878109460,"sku":null,"price":1250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0761\/0911\/9764\/files\/WEB-58.png?v=1776941467"},{"product_id":"galerie-65-cannes-1960","title":"Galerie 65, Cannes 1960","description":"\u003cp\u003e\u003cstrong\u003ePrinter: \u003c\/strong\u003e\u003cspan\u003eMourlot (1 of 600 Editions) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e77 x 53 cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eGood\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrame\u003c\/span\u003e:\u003c\/strong\u003e Framed in charcoal\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription: \u003c\/strong\u003eThis striking illustration, which Buffet used to promote his exhibition in 1960, is a great example of his figurative style characterised by dark heavy lines.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eBernard Buffet (1928-1999) was a prolific French painter, printmaker and sculptor. He grew up in a comfortable middle-class family and his mother would regularly take him to the Louvre Museum where he was inspired by the realist painters. He was a student at the Lycée Carnot during the Nazi occupation of Paris and risked travelling to classes in the evening despite the curfew imposed by the Nazi authorities. Later, he studied at the École Nationale Supérieure des Beaux-Arts. He was devastated when, aged seventeen, his mother died of cancer. He suffered with melancholy throughout his life. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFaithful to his figurative style, he enjoyed worldwide popularity in the 1950s. He produced religious pieces, landscapes, portraits and still-lifes which were characterised by thick black lines, elongated forms and a lack of depth of field. He produced ‘miserabilist’ pictures of despair, too, including scenes of poverty and Holocaust victims. In 1958, The New York Times called him one of the “Fabulous Five” cultural figures of post-war France along with Brigitte Bardot, Françoise Sagan, Roger Vadim and Yves Saint Laurent. But his popularity took a nosedive after he was photographed for magazine articles living a celebrity lifestyle with big houses and a chauffeur-driven Rolls Royce. He was seen as out of touch with the struggling economy of post-war France. Despite painting every day for the rest of his life, those early heady days were over. While suffering from Parkinson’s disease, he committed suicide at his home in southern France, aged 71. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSince his death, his work has been fetching big prices. In 2016, Nicholas Foulkes published his biography Bernard Buffet: The Invention of the Modern Mega-Artist and, in the same year, a large retrospective exhibition of his work was held at the Musée d’Art Moderne in Paris. Buffet’s work continues to be popular and collectible. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Bernard Buffet","offers":[{"title":"Charcoal","offer_id":46627936567572,"sku":null,"price":795.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0761\/0911\/9764\/files\/115_Small_6334987d-e651-47eb-afa0-e9ecf31dc770.jpg?v=1694548116"},{"product_id":"muse-des-arts-decoratifs-palais-du-louvre-paris-1959","title":"Musée des Arts Décoratifs, Paris 1959","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003ePrinter: \u003c\/strong\u003eMourlot (1 of 1,500 editions) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e75 x 51 cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good condition \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrame:\u003c\/strong\u003e Charcoal\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDescription: \u003c\/strong\u003eAn original lithograph in four colours. A poster created for the retrospective exhibition of Chagall at the Museum of Decorative Arts, Palace of the Louvre, Paris.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eMarc Chagall (1887-1985) was a Russian-French-Jewish painter, book illustrator, ceramicist, stage-set designer, tapestry maker and undoubtedly one of the most influential modern artists of the 20\u003csup\u003eth\u003c\/sup\u003e century. He was also an unparalleled colourist. In 1954, Picasso said, ‘When Matisse dies, Chagall will be the only painter alive who understands what colour really is.’\u003c\/p\u003e\n\u003cp\u003eMost artists would begin the lithograph process with a black outline and then load subsequent plates with several colours to produce a clean coloured image. But Chagall would pour layer upon layer of colour into plates to create lithographs so dense in paint that they resembled paintings.\u003c\/p\u003e\n\u003cp\u003eIn 1948, Chagall, aged 61, was an internationally successful artist. He had lived through two world wars, the Russian Revolution and witnessed constant persecution of Jewish people. He had escaped occupied France with his family to live in New York during World War II but had returned to Paris a widower and in search of new beginnings. He teamed up with Charles Sorlier, one of the master lithographers at Mourlot studios and began to experiment. Chagall wrote several years later in 1960: ‘When I held a lithographic stone or a copperplate in my hand I thought I was touching a talisman. It seemed to me that I could put all my joys and sorrow in it…Everything that touched my life through the years, births, deaths, weddings, flowers, animals, birds, the poor workers, my parents, lovers in the night, the biblical prophets on the street at home, in the temple and in heaven. And as I grew older, the tragedy of life within us and around us.’\u003c\/p\u003e\n\u003cp\u003eChagall worked right up until his death in France in 1985, aged 97. He was the last surviving master of European Modernism.\u003c\/p\u003e","brand":"Marc Chagall","offers":[{"title":"Charcoal","offer_id":46627998957844,"sku":null,"price":1250.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0761\/0911\/9764\/files\/029B_Small_95b2be7c-9eef-4d8a-902d-d38e65e5c9a3.jpg?v=1694548530"},{"product_id":"musee-des-beaux-arts-reims-1960","title":"Musée Des Beaux Arts, Reims 1960","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003ePrinter: \u003c\/strong\u003eMourlot (1 of 500 editions) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e78 x 54 cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good condition \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrame:\u003c\/strong\u003e Charcoal\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDescription: \u003c\/strong\u003eChagall designed this poster with Mourlot’s master printer, Charles Sorlier, for an exhibition at the Musée des Beaux Arts in Reims, France. It was about his stained-glass windows at the Cathedral in Metz. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eMarc Chagall (1887-1985) was a Russian-French-Jewish painter, book illustrator, ceramicist, stage-set designer, tapestry maker and undoubtedly one of the most influential modern artists of the 20\u003csup\u003eth\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003ecentury. He was also an unparalleled colourist. In 1954, Picasso said, ‘When Matisse dies, Chagall will be the only painter alive who understands what colour really is.’\u003c\/p\u003e\n\u003cp\u003eMost artists would begin the lithograph process with a black outline and then load subsequent plates with several colours to produce a clean coloured image. 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It seemed to me that I could put all my joys and sorrow in it…Everything that touched my life through the years, births, deaths, weddings, flowers, animals, birds, the poor workers, my parents, lovers in the night, the biblical prophets on the street at home, in the temple and in heaven. And as I grew older, the tragedy of life within us and around us.’\u003c\/p\u003e\n\u003cp\u003eChagall worked right up until his death in France in 1985, aged 97. 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It was about his stained-glass windows at the Cathedral in Metz. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eMarc Chagall (1887-1985) was a Russian-French-Jewish painter, book illustrator, ceramicist, stage-set designer, tapestry maker and undoubtedly one of the most influential modern artists of the 20\u003csup\u003eth\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003ecentury. He was also an unparalleled colourist. In 1954, Picasso said, ‘When Matisse dies, Chagall will be the only painter alive who understands what colour really is.’\u003c\/p\u003e\n\u003cp\u003eMost artists would begin the lithograph process with a black outline and then load subsequent plates with several colours to produce a clean coloured image. 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Chagall wrote several years later in 1960: ‘When I held a lithographic stone or a copperplate in my hand I thought I was touching a talisman. It seemed to me that I could put all my joys and sorrow in it…Everything that touched my life through the years, births, deaths, weddings, flowers, animals, birds, the poor workers, my parents, lovers in the night, the biblical prophets on the street at home, in the temple and in heaven. And as I grew older, the tragedy of life within us and around us.’\u003c\/p\u003e\n\u003cp\u003eChagall worked right up until his death in France in 1985, aged 97. 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Chagall wrote several years later in 1960: ‘When I held a lithographic stone or a copperplate in my hand I thought I was touching a talisman. It seemed to me that I could put all my joys and sorrow in it…Everything that touched my life through the years, births, deaths, weddings, flowers, animals, birds, the poor workers, my parents, lovers in the night, the biblical prophets on the street at home, in the temple and in heaven. And as I grew older, the tragedy of life within us and around us.’\u003c\/p\u003e\n\u003cp\u003eChagall worked right up until his death in France in 1985, aged 97. 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In 1961, he exhibited the full set of windows in Paris and later that year, in New York. The image in this poster for the French exhibition is one of the three windows in the northern view. He said when they were finally installed in 1968: ‘This is my gift to the Jewish people who have always dreamt of biblical love, friendship, and peace among all peoples.’\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eMarc Chagall (1887-1985) was a Russian-French-Jewish painter, book illustrator, ceramicist, stage-set designer, tapestry maker and undoubtedly one of the most influential modern artists of the 20\u003csup\u003eth\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003ecentury. He was also an unparalleled colourist. In 1954, Picasso said, ‘When Matisse dies, Chagall will be the only painter alive who understands what colour really is.’\u003c\/p\u003e\n\u003cp\u003eMost artists would begin the lithograph process with a black outline and then load subsequent plates with several colours to produce a clean coloured image. But Chagall would pour layer upon layer of colour into plates to create lithographs so dense in paint that they resembled paintings.\u003c\/p\u003e\n\u003cp\u003eIn 1948, Chagall, aged 61, was an internationally successful artist. He had lived through two world wars, the Russian Revolution and witnessed constant persecution of Jewish people. He had escaped occupied France with his family to live in New York during World War II but had returned to Paris a widower and in search of new beginnings. He teamed up with Charles Sorlier, one of the master lithographers at Mourlot studios and began to experiment. Chagall wrote several years later in 1960: ‘When I held a lithographic stone or a copperplate in my hand I thought I was touching a talisman. It seemed to me that I could put all my joys and sorrow in it…Everything that touched my life through the years, births, deaths, weddings, flowers, animals, birds, the poor workers, my parents, lovers in the night, the biblical prophets on the street at home, in the temple and in heaven. And as I grew older, the tragedy of life within us and around us.’\u003c\/p\u003e\n\u003cp\u003eChagall worked right up until his death in France in 1985, aged 97. 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The image is a reproduction of the lithograph after Marc Chagall.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eMarc Chagall (1887-1985) was a Russian-French-Jewish painter, book illustrator, ceramicist, stage-set designer, tapestry maker and undoubtedly one of the most influential modern artists of the 20\u003csup\u003eth\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003ecentury. He was also an unparalleled colourist. In 1954, Picasso said, ‘When Matisse dies, Chagall will be the only painter alive who understands what colour really is.’\u003c\/p\u003e\n\u003cp\u003eMost artists would begin the lithograph process with a black outline and then load subsequent plates with several colours to produce a clean coloured image. 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It seemed to me that I could put all my joys and sorrow in it…Everything that touched my life through the years, births, deaths, weddings, flowers, animals, birds, the poor workers, my parents, lovers in the night, the biblical prophets on the street at home, in the temple and in heaven. And as I grew older, the tragedy of life within us and around us.’\u003c\/p\u003e\n\u003cp\u003eChagall worked right up until his death in France in 1985, aged 97. 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Chagall wrote several years later in 1960: ‘When I held a lithographic stone or a copperplate in my hand I thought I was touching a talisman. It seemed to me that I could put all my joys and sorrow in it…Everything that touched my life through the years, births, deaths, weddings, flowers, animals, birds, the poor workers, my parents, lovers in the night, the biblical prophets on the street at home, in the temple and in heaven. And as I grew older, the tragedy of life within us and around us.’\u003c\/p\u003e\n\u003cp\u003eChagall worked right up until his death in France in 1985, aged 97. 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Chagall wrote several years later in 1960: ‘When I held a lithographic stone or a copperplate in my hand I thought I was touching a talisman. It seemed to me that I could put all my joys and sorrow in it…Everything that touched my life through the years, births, deaths, weddings, flowers, animals, birds, the poor workers, my parents, lovers in the night, the biblical prophets on the street at home, in the temple and in heaven. And as I grew older, the tragedy of life within us and around us.’\u003c\/p\u003e\n\u003cp\u003eChagall worked right up until his death in France in 1985, aged 97. 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He was also an unparalleled colourist. In 1954, Picasso said, ‘When Matisse dies, Chagall will be the only painter alive who understands what colour really is.’\u003c\/p\u003e\n\u003cp\u003eMost artists would begin the lithograph process with a black outline and then load subsequent plates with several colours to produce a clean coloured image. But Chagall would pour layer upon layer of colour into plates to create lithographs so dense in paint that they resembled paintings.\u003c\/p\u003e\n\u003cp\u003eIn 1948, Chagall, aged 61, was an internationally successful artist. He had lived through two world wars, the Russian Revolution and witnessed constant persecution of Jewish people. He had escaped occupied France with his family to live in New York during World War II but had returned to Paris a widower and in search of new beginnings. He teamed up with Charles Sorlier, one of the master lithographers at Mourlot studios and began to experiment. Chagall wrote several years later in 1960: ‘When I held a lithographic stone or a copperplate in my hand I thought I was touching a talisman. It seemed to me that I could put all my joys and sorrow in it…Everything that touched my life through the years, births, deaths, weddings, flowers, animals, birds, the poor workers, my parents, lovers in the night, the biblical prophets on the street at home, in the temple and in heaven. And as I grew older, the tragedy of life within us and around us.’\u003c\/p\u003e\n\u003cp\u003eChagall worked right up until his death in France in 1985, aged 97. 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He was also an unparalleled colourist. In 1954, Picasso said, ‘When Matisse dies, Chagall will be the only painter alive who understands what colour really is.’\u003c\/p\u003e\n\u003cp\u003eMost artists would begin the lithograph process with a black outline and then load subsequent plates with several colours to produce a clean coloured image. But Chagall would pour layer upon layer of colour into plates to create lithographs so dense in paint that they resembled paintings.\u003c\/p\u003e\n\u003cp\u003eIn 1948, Chagall, aged 61, was an internationally successful artist. He had lived through two world wars, the Russian Revolution and witnessed constant persecution of Jewish people. He had escaped occupied France with his family to live in New York during World War II but had returned to Paris a widower and in search of new beginnings. He teamed up with Charles Sorlier, one of the master lithographers at Mourlot studios and began to experiment. Chagall wrote several years later in 1960: ‘When I held a lithographic stone or a copperplate in my hand I thought I was touching a talisman. It seemed to me that I could put all my joys and sorrow in it…Everything that touched my life through the years, births, deaths, weddings, flowers, animals, birds, the poor workers, my parents, lovers in the night, the biblical prophets on the street at home, in the temple and in heaven. And as I grew older, the tragedy of life within us and around us.’\u003c\/p\u003e\n\u003cp\u003eChagall worked right up until his death in France in 1985, aged 97. 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He was also an unparalleled colourist. In 1954, Picasso said, ‘When Matisse dies, Chagall will be the only painter alive who understands what colour really is.’\u003c\/p\u003e\n\u003cp\u003eMost artists would begin the lithograph process with a black outline and then load subsequent plates with several colours to produce a clean coloured image. But Chagall would pour layer upon layer of colour into plates to create lithographs so dense in paint that they resembled paintings.\u003c\/p\u003e\n\u003cp\u003eIn 1948, Chagall, aged 61, was an internationally successful artist. He had lived through two world wars, the Russian Revolution and witnessed constant persecution of Jewish people. He had escaped occupied France with his family to live in New York during World War II but had returned to Paris a widower and in search of new beginnings. He teamed up with Charles Sorlier, one of the master lithographers at Mourlot studios and began to experiment. Chagall wrote several years later in 1960: ‘When I held a lithographic stone or a copperplate in my hand I thought I was touching a talisman. It seemed to me that I could put all my joys and sorrow in it…Everything that touched my life through the years, births, deaths, weddings, flowers, animals, birds, the poor workers, my parents, lovers in the night, the biblical prophets on the street at home, in the temple and in heaven. And as I grew older, the tragedy of life within us and around us.’\u003c\/p\u003e\n\u003cp\u003eChagall worked right up until his death in France in 1985, aged 97. 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As well as his art, he was a successful poet, playwright, novelist, designer and filmmaker, and regarded as one of the most influential artistic figures in the early 20th century. 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An amateur artist herself, she advised him to: “Paint what you like, a bridge, a tree, a reflection on the water and forget the rest.” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eThe French painter, engraver and ceramicist André Cottavoz (1922-2012) trained at the Lyon Fine Arts School in 1939 and exhibited in many group international exhibitions after the Second World War. He was a maverick and founder member of a group of artist from his alma mater who painted without ‘isms’ - free from Impressionism, Fauvism, Cubism etc., choosing to paint ‘in the light’ and without any recognisable technique. Cottavoz moved to the French Riviera and met Picasso, Chagall and Pignon. Picasso said of Cottavoz’ work: “I don’t know if it is good or bad but that interests me!” Cottavoz went on to win the prestigious Fénéon Prize in 1953 and exhibited at the Prix National de Peinture and Biennale de Menton. The Japanese art dealer Kiyoshi Tamenaga exhibited many of his works at his gallery in Tokyo. By the early Sixties, Cottavoz was working in the Mourlot Studios in Paris to create many black and white, and coloured, lithographs. He signed an exclusive contract with the Galerie Kriegel, Paris in 1964 which hosted exhibitions until 1979.\u003cbr\u003e\u003c\/p\u003e","brand":"André Cottavoz","offers":[{"title":"Charcoal","offer_id":46663478739220,"sku":null,"price":495.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0761\/0911\/9764\/files\/003.jpg?v=1736974243"},{"product_id":"parc-floral-de-paris-1970","title":"Parc Floral de Paris, 1970","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003ePrinter: \u003c\/strong\u003eMichel Casse \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e62 x 42 cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eFrame: \u003c\/b\u003eCharcoal\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist: \u003c\/strong\u003eSonia Delaunay (13 November 1885 – 5 December 1979) was a French artist, fashionista and set designer. Born in Russia, she studied at the Academy of Fine Arts in Karlsruhe, Germany before moving to Paris in 1905 to continue studies at the Académie de la Palette in Montparnasse. After divorcing the German art dealer and gallery owner Wilhelm Uhde, she married the French artist, Robert Delaunay in 1910. The couple co-founded the Orphism art movement named in 1913 by their friend and poet, Guillaume Apollinaire to describe their version of Cubism which was based on strong colours and geometric shapes. Sonia lived most of her working life in Paris. She was the first living female artist to have a retrospective exhibition at the Louvre in 1964, and was named an officer of the French Legion of Honor the following year. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Sonia Delaunay","offers":[{"title":"Charcoal","offer_id":46663509180692,"sku":null,"price":595.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0761\/0911\/9764\/files\/Hommage-39_LowRes.jpg?v=1736975312"},{"product_id":"galerie-bernheim-jeune-paris-1959","title":"Galerie Bernheim - Jeune, Paris 1959","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003ePrinter: \u003c\/strong\u003eMourlot (1 of 1,000 Editions) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e66 x 49 cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Very good \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eFrame: \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eOak\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003cstrong data-mce-fragment=\"1\"\u003eArtist: \u003c\/strong\u003eRaoul Dufy (1877-1953) was a French painter, draftsman, printmaker, book illustrator and designer associated with the fauvist movement. He studied at the École des Beaux-Arts in Le Havre and Paris. His first exhibition was in 1901. He painted recreational scenes including horse races and regattas and his colourful, decorative style was fashionable for ceramics and textile designs. He completed one of the largest public paintings for the La Fée Electricité for the 1937 Exposition Internationale in Paris. 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The image is Forest at Dawn (La Forêt, à l’aube) by Max Ernst. The Salon de Mai was founded by a group of French artists during 1943 in a café in the Rue Dauphine in Paris during the German Occupation in opposition to Nazi ideology and its condemnation of degenerate art. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist: \u003c\/strong\u003eMax Ernst (1891-1976) was a German-born painter and sculptor. He studied philosophy, art history, literature, psychology and psychiatry at the University of Bonn. Visiting asylums, he became fascinated with the artwork of mentally ill patients and was inspired to paint. During the First World War, he was a soldier and emerged deeply traumatised and critical of western culture. He converted to Dada, a nihilistic art movement, and formed a group of Dada artists in Cologne creating startling collages and photomontages. Moving to Paris in 1922, he became one of the originators of surrealism who channelled automatic drawing from his subconscious to create dreamlike images. He began sculpting in 1934. The art collector and gallery owner Peggy Guggenheim acquired some of his pieces which she displayed in her London art gallery. At the outbreak of World War II, he escaped the Gestapo and fled to the United States with Peggy who became his third wife. They divorced after four years. Other friends, Marcel Duchamp and Marc Chagall had also fled from the war to New York City and between them, they inspired the development of abstract expressionism. He married his fourth wife, the American surrealist painter, Dorothea Tanning in 1946 and for a few years settled in Arizona. 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He studied at L’École des Beaux-Arts and was influenced by Brianchon, Picasso and Matisse. During periods of travel in Spain and Italy, he held his first exhibition at Marlborough Fine Art in London when he was living primarily at the Villa Medicis in Florence with Tilson, Francis Bacon and Corpora. In 1954 he began working with Charles Sorlier, a master printer at Mourlot’s Atelier where he began a series of lithographs. 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